Salome Reviews!

SALOME_PUB_IMAGEReviews for Salome have been coming in, and it seems that all our hard work is paying off…
Except Nathan misspelled my name in the program, so I guess I need to change it legally…

“Highly Recommended” – Chicago Reader

Charlesanne Radensburg, as Herodias Salome’s mother, was one part Disney evil queen and one part 1940’s film noir vixen. She seemed to relish in her biting lines and quippy comebacks.” – Chicago Stage Standard

“Choreography/movement coach Charlesanne Rabensburg strategically uses a billowing, white tarp.  As Szyper flirts with a sensual fluidity, the ensemble ripples this oversized silk under her feet.  The look is elegant and sexy as Szyper does her royal striptease… Under the direction of Nathan Robbel, the female prowess is in charge.  Not only does Szyper hold court, the noteworthy Rabensburg (Herodias) commands respect. Even though she may be sidelined as a wife, Rabensburg is still very much queen.  The regal Rabensburg delivers influential jabs with an icy, cold smoothness… SALOME’s dance will make people lose their heads.  It’s a visual stunner!  ” – The Fourth Walsh

“The legendary story has the title character (Shantelle Szyper) performing the lusty Dance of the Seven Veils for Herod, King of Judea… The fine actors and technicians do Wilde’s brilliant and lyrical play justice here.” – Center Stage Chicago

“[Director, Nathan Robbel’s] erotically charged presentation, complemented by Charlesanne Radensburg’s steamy choreography, is performed alley style… Charlesanne Radensburg does double duty playing the most interestingly portrayed character in this production, Herodias. As Salome’s mother the actress hits all the right notes, ranging from seductive to persuasive, yet very careful not to overstep certain boundaries with her husband, Herod… In another seldom-produced classic that the serious actor, director and theatre scholar will want to see, Right Brain Project has again met the challenge. More grandiose productions can be imagined, but Nathan Robbel’s epic minimalism makes Oscar Wilde’s play both accessible and intimate and smartly manages to focus all the attention on his actors.” – Chicago Theatre Review

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